Reinhard Keise Biography:
Reinhard Keise is one of the talented Artists in the field of music. He has gifted the audience with some briliant music. The world will never forget him for his contribution in music.Aria: The Finest Sacred & Secular Arias from 1600 to 1800 [BOX SET] [IMPORT]
Album name:
Aria: The Finest Sacred & Secular Arias from 1600 to 1800 [BOX SET] [IMPORT]
Artist name:
Reinhard Keise
Album Image:
![Aria: The Finest Sacred & Secular Arias from 1600 to 1800 [BOX SET] [IMPORT] ,Reinhard Keise, No image available](../german/albumimages-downloaded/aria-the-finest-sacred-secular-arias-from-1600-to-1800.jpg)
Audio CD:
February 8, 2005)
Number of Discs:
3
Label:
Harmonia Mundi Fr.
Composer:
Giovanni-Battista Agneletti, Johann Sebastian Bach, Ludwig van Beethoven, Riccardo Broschi, Antonio Caldara, et al.
Performer:
Marcello Lippi, Maurice Bevan, Nicolas Rivenq, Simon Keenlyside, Lorenzo Regazzo, et al.
Songs:
- La favola d'Orfeo, opera, SV 318 Prologo: Toccata
- La favola d'Orfeo, opera, SV 318 Prologo: Ritornello - Dal mio Permesso amato (excerpt)
- Ecce sacrum paratum convivium, motet for solo voice and continuo, SV 299
- T'amo mia vita, madrigal for 3 voices
- T'amo mia vita!, madrigal for 5 voices (from Book 5), SV 104
- Il ritorno d'Ulisse in patria, opera in 3 acts, SV 325 Acte 5, Scène 10: Illustratevi, O Cieli
- L'incoronazione di Poppea, opera in 3 acts, SV 308 Acte 3, Scène 8: Pur ti miro
- La Calisto, opera Acte 1, Scène 2: Piante ombrose
- La Calisto, opera Acte 1, Scène 5
- Il mio core è un mar di pianti, cantata for 2 sopranos & continuo (also attributed to A. Stradella)
- Gloria
- Maddalena ai piedi di Cristo, oratorio No. 35 Aria: In lagrime stemprato
- Cain overo Il primo omicidio, oratorio, for soloists, strings & continuo Duetto: La fraterna amica pace
- Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 Eja mater, fons amoris
- Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621 Amen
- Stabat mater, for soprano, alto, strings & organ in F major Duo: Quis est homo, qui no fleret
- La Griselda, opera Acte 2, Scène 1:Aria, Mi rivedi, o selva ombrosa
- Agrippina, opera, HWV 6 Acte 3, Scène 10: Récit et Air
- Cessate, omai cessate (I), cantata for voice, strings & continuo, RV 684 largo e sciolto, Cessate, omai cessate
- Cessate, omai cessate (I), cantata for voice, strings & continuo, RV 684 Larghetto & Andante molto, Ah ch'ingelice sempre
- Idaspe, opera Aria, Qual guerriero in campo armato
- Armide, opera, LWV 71 Ouverture
- Armide, opera, LWV 71 Acte 2, Scène 5 (Prélude): Enfin, il est en ma puissance
- Armide, opera, LWV 71 Acte 2, Scène 3 (Prélude): Plus j'observe ces lieux
- Médée, opera, H. 491 Acte 3, Scène 3: Quel prix de mon amour, quel fruit de mes forfaits
- Les Indes galantes, opéra-ballet Danse du Grand Calumet de la Paix, Forêts paisibles
- Castor et Pollux, tragédie en musique Acte 1, Scène 3: Tristes apprêts, pâles flambeaux
- King Arthur, or, The British Worthy, semi-opera, Z. 628 Acte 3, Scène 2: Cold Song, What power art thou
- Dido and Aeneas, opera, Z. 626 Acte 3: Thy hand, Belinda
- Dido and Aeneas, opera, Z. 626 Acte 3: When I am laid in earth
- Music for a While (from "Oedipus"), song, Z. 583/2
- Rinaldo, opera, HWV 7 Acte 1, Scène 5: Furie terribili
- Rinaldo, opera, HWV 7 Acte 2, Scène 4: Lascia ch'io pianga
- Serse (Xerxes), opera, HWV 40 Acte 1, Scène 1: Ombra mai fù
- Giulio Cesare in Egitto, opera, HWV 17 Acte 2, Scène 8: All lampo dell'armi
- Ottone, re di Germania, opera, HWV 15 Acte 2, Scène 4: Vieni, o figlio
- Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14) Duo, Et misericordia eius
- Mass in B minor, for 5 voices, 6-part chorus, violin, orchestra & continuo, BWV 232 (BC E1) Benedictus
- St. Matthew Passion (Matthäuspassion), BWV 244 (BC D3b) No. 39 Aria, Erbarme dich
- Orpheus, oder die wunderbare Beständigkeit der Liebe, opera in 3 acts, TWV 21:18 Ouverture
- Orpheus, oder die wunderbare Beständigkeit der Liebe, opera in 3 acts, TWV 21:18 Acte 1, Scène 1: Recitative, Bist du nicht Königinn
- Orpheus, oder die wunderbare Beständigkeit der Liebe, opera in 3 acts, TWV 21:18 Acte 1, Scène 1: Sù, mio core à la vendetta!
- Orpheus, oder die wunderbare Beständigkeit der Liebe, opera in 3 acts, TWV 21:18 Acte 3, Scène 3: Augelletti, che cantate
- Croesus, opera Acte 2, Scène 8: Liebe, sag', was fängst du an?
- Les Troqueurs, opera bouffon Scène 2: Margot morbleu est par trop joyeuse
- Les Troqueurs, opera bouffon Scène: Dou, Troquons, troquons
- Cesare e Cleopatra, opera Acte 2, Scène 20: Tutti, All'armi, al cimento
- Cesare e Cleopatra, opera Acte 3, Scène 1: Voglio strage, e sangue voglio
- Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 Acte 3, Scène 1: Ecco un nuovo tormento!
- Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30 Acte 3, Scène 1: Che farò senza Euridice?
- Così fan tutte, opera, K. 588 Acte 1, Scène 6: Récit, Dove son?
- Così fan tutte, opera, K. 588 Acte 1, Scène 6: Terzettino, Soave sia il vento
- Così fan tutte, opera, K. 588 Acte 1, Scène 11: Come scoglio
- Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 Acte 1, Scène 2: No. 3 Se vuol ballare (cavatina)
- Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 Acte 4, Scène 1: No. 24 L'ho perduta . . . me meschina! (cavatina)
- Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 Acte 4, Scène 10: No. 28 Giunse alfin il momento (recit. & aria)
- Mass No. 17 for soloists, chorus & orchestra in C minor (fragment, "Great Mass"), K. 427 (K. 417a) Laudamus te
- Requiem for soloists, chorus, and orchestra, K. 626 Tuba mirum
- Qual dubbio ormai, cantata for soprano, chorus & orchestra, H. 24a/4
- Christus am Ölberge (Christ on the Mount of Olives), oratorio, Op. 85 Duetto, So ruhe denn mit ganzer Schwere
 
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